---
title: "HERE AND NOW: Collecting Memories from Turtle Island"
subtitle: Indigenous perspectives and museum narratives
image: here-and-now.webp
imageCaption: Marie Watt, Thirteen Moons
event:
  session1: 2026-09-03 10:30
  session2: 2026-09-03 18:30
  venue: Museum Ludwig
  venueUrl: https://www.museum-ludwig.de
  venueAddress: Heinrich-Böll-Platz, 50667 Köln
  fee: Regular ArtTalk 28€; Kids/Students/Artists 8€
  registrationInformation: Register one week before.
  bankAccount: DE17 6723 0000 4019 2455 50
  paymentInformation: Advance transfer required.
  information: "Meeting point: central foyer, BLUE dot."
# publishOnWebsite: Calendar
---

Where is Turtle Island, and why does this matter? 🌎

This ArtTalk explores how museums collect, frame, and remember.

We’ll look closely at *Marie Watt’s* _Thirteen Moons_ (Seneca Nation), an installation of thirteen hanging tin sculptures that creates a cloud of sound when touched.

It honors the Jingle Dress Dance, a healing ritual of the Ojibwe tribe passed down through generations despite being banned. It can be seen as a radical act of resistance.

Watt’s work appears alongside historical photochromes that depict “deserted” American landscapes. These are representations that deliberately leave out Indigenous peoples from their own home.

We’ll consider works by *T.C. Cannon* (Kiowa/Caddo), *Leon Polk Smith* (Cherokee), and others whose indigenous backgrounds shaped contemporary art but have been systematically overlooked.

We’ll explore what changes when you view a museum not as a neutral space, but as a space shaped by choices and biases.

- 💰 Fee: €28 adults \| €8 students, artists, and kids
- 💡 Long Cologne Thursday opening, free for Cologne citizens (with valid ID).
- 📍 Meeting Point: Central foyer, by the column with the BLUE dot.

Before you head home, join us for a casual drink and light bites and connect with the ArtTalk community 🤝 over best moments 🎨 and new insights.

Let’s leave with sharper seeing, and better questions.

### *🎨 Along the Color Line: Transatlantic Modernism, Reframed*